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SEL200600G

Sony SEL200600G FE 200-600mm F5.6-6.3 G OSS

Sony SEL200600G FE 200-600mm F5.6-6.3 G OSS

Super telephoto zoom G lens

Direct Drive SSM for quiet, highly precise focus lens control

Advanced optical design incorporating an aspherical element and five ED glasses for entire zoom range

Sony Nano AR Coating to eliminate flare and ghosting

Dust and moisture3 resistant design





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Regular price BHD 689.000
Regular price BHD 809.000 Sale price BHD 689.000
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Product Highlights

  • Zoom to 600mm, or 1200 with teleconverter :Compatible with optional 1.4x and 2.0x teleconverters, for a maximum focal length of 840mm or 1200mm at F13. Both teleconverters are top quality, retaining outstanding image quality and AF performance. Zoom and aperture range with the 1.4x teleconverter is 280-840mm, F8-9. With the 2.0x teleconverter the ranges are 400-1200mm, F11-13.
  • High resolution throughout the zoom range : Five ED (Extra-low Dispersion) glass elements and one aspherical element in a new optical design offer superb resolution and image quality throughout the zoom range. The aspherical element suppresses spherical aberration and distortion, while the ED glass elements minimize chromatic aberration that can be a problem at super-telephoto focal lengths.
  • Beautiful, natural G lens bokeh : An 11-blade circular aperture mechanism adds to the beauty of the bokeh produced by this lens, making it possible to use the narrow depth of field available at super-telephoto focal lengths to produce striking images with deep, creamy G lens bokeh.
  • Nano AR Coating stops flare and ghosting : Sony’s original Nano AR Coating has a uniform nanometer-level structure that breaks up the lens’s boundary surface, significantly reducing reflections that can cause image-degrading flare and ghosting. The overall result is superior image clarity and contrast. (1. Nano AR Coating / 2.Glass / 3.Transmitted light)
  • 3-mode Optical SteadyShot : Optical image Stabilisation makes it easier to shoot sharp images handheld at super-telephoto focal lengths. MODE 2 offers ideal Stabilisation for panned shots, while MODE 32 provides enhanced viewfinder Stabilisation that allows easier framing of erratic sports or wildlife movement. 5-axis Stabilisation is available with compatible α bodies.

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